This morning I found a nice quote on my Twitter stream:
A bowl fills drop by drop.
I found it very apropos to my journey into e-publishing so far. It’s been a learning curve, and I’m finding tons of little details need to get taken care of–most of which I’d never thought of before. Drop by drop indeed.
And then, sometimes, there’s a splash.
This morning, I received notification by the Government of Canada Library and Archives informing me that my application for a publisher’s block of ISBN numbers had been approved. Which means that I can now add ISBN numbers to any of my forthcoming published works, all online, all at the click of a button–and all for free. Not that I’m bragging.
Getting an ISBN number has always been a goal of mine, in a geeky spent-too-much-time-at-the-library-as-a-kid kind of way. I always figured that, as a writer, it would be one of those great measures of success. Get an ISBN number, and your book could be sold in bookstores. It could be stocked in libraries. It’s in a national database.
Suddenly, that bowl is filling pretty darn quickly.
Of course, in the world of e-publishing, it’s pretty easy to get an ISBN number, and it’s not a validation of your writing by any stretch of the imagination. Still, it’s a significant step for me, and one that makes this goal of mine seem more within reach than ever.
Anyway, ISBN Numbers. Why bother?
An International Standard Book Number is used to set one publication apart from another–even separate editions of the same text. It’s an important tool for librarians and booksellers, allowing them to easily categorize and track books. For eBooks, it’s a bit different. The ISBN (you might see eISBN) is obtained in the same way, and serves the same purpose. But not all vendors require one.
The Kobo and Amazon and Barnes & Noble stores don’t require an ISNB, though you can add one if you like. The Apple and Sony stores do–and by extension, Smashwords requires an ISBN if you want to be included in their Premium Catalogue, which pushes titles to both those stores (you can still publish on Smashwords without an ISBN, just not in the Premium Catalogue).
Which brings us back to the question. If many distributors don’t require one, why bother? If you don’t mind not getting into the Sony or Apple stores, maybe you don’t need one–but an ISBN is nevertheless a helpful marketing and tracking tool that could give you an edge.
Of course, there’s also the expense to consider. In the USA, there’s a service charge for getting an ISBN. On ISBN.org, they’ll cost you between $27 and $40 each to start, but you buy them in blocks of ten. Smashwords seems to offer them for free. And if you live in Canada–which encourages the creation of new Canadian Creative Content–all you have to do is go to the Canadian ISBN Service System . Sign up, and in a couple weeks, you’ll be assigned a unique ISBN publishers block. From there you’re only a couple clicks away from a unique ISBN for each new publication. Easy!
This might be a good time to remind everyone that my collection The Astrologers and Other Stories will be published soon–I’m aiming for a release date of October 23. It will be priced at $2.99, but I’ll be offering the titular story separately for free. Look for it on the Kobo Store and Amazon.com soon!