Another Indie in Paper!

20130830-191938.jpgA nice quick post this afternoon–just wanted to share the further success of one of my favourite Indie writers, J. M. Ney-Grimm.

Savvy readers will know Ney-Grimm from the several reviews I’ve done of her work. If you haven’t read any of her stories yet, go check them out–they’re set in a Nordic fantasy world, often based on fairy tales (or such tropes), and have a very characteristic “effervescent” style. Well written, fun stories.

One of those stories, Sarvet’s Wanderyar, has been on my plate for a while. I’ll be reviewing it coming up soon on the blog, but wanted to share her good news now: she’s published it in paperback! You can get the book on Amazon, Barnes and Noble, and CreateSpace. You can read about her release here.

And while you’re at it, why don’t you check out her work on Amazon and Kobo? Trust me, they’re great books.

Traditionally Published Authors a Step Closer to Indies?

One of my favourite “traditionally published authors,” Kevin J Anderson, recently posted about what he called a ground breaking change in the publishing industry: a new service called Cunable, which allows authors to sell their published works as eBooks without going through a major distributor. You can read it here. It is indeed a big change, but what does it mean for the Indie Publishing Community?

There are those in the community who are much better versed in how Cunable will affect self-publishing, if it will at all–but I wanted to comment on it. I’ve started to see Anderson as a champion for the eBook format; he’s released a lot of his back catalogue as eBooks on his own website, and seems eager to encourage e-reading. It helps that he’s a major voice in the sci-fi and fantasy genres–he gives exposure to the format.

And now, he’s embarking on this experiment with Cunable. The creator of this service, John Grace, describes it as “Self Retailing for the Published Author,” and it seems very close to how Indie writers are publishing and selling their books.

Basically, Grace is concerned with putting money into the hands of authors, insteads of publishers. In an interview on Kirin Design, he points out that an author doesn’t get a lot of the revenue from their own work, and that this is something that can change. It’s part of what motivates the Indie Community, which gets a large percentage of sales compared to going through one of the Big Five publishers (if you can get there at all). Indeed, Grace admits that he was inspired by the “growth and success” of the self-publishing model, and sees it as a way for published author to “eliminate the retailer channel.”
Of course, Indies see another (and more important) benefit to self-publishing–we get our work out directly to those who want to read it, and can communicate with our network of readers. I think Cunable will fulfil this goal too, though Grace doesn’t explicitly reference it.

Grace would like to see the Big Five sign on with his service so he can distribute published works through his website, or allow authors to distribute through theirs. Anderson says that the 30-35% cut that publishers normally get from sales would instead be split between Cunable and the author–I’m not sure how happy publishers would be about that, but it does sound like a good idea for people who just want to write for a living. Really, it’s about taking the publisher out of the picture; getting the book directly from the author, no middleman, no fuss. Another reason Indies do what they do. I’m glad a person like Anderson is involved in this,  as he could give Cunable some real momentum. It will be interesting to see where they go.

But what does this all mean? The first thing that popped into my mind when I read the blog was that published authors are going to start flooding the market. Anderson has already dipped his toe in, and I could see others following him. And that’s good on one hand, because it gives even more credence to self-publishing and to the eBook format. But on the other hand, I don’t think self-publishing needs more credence–and the system itself could potentially change.

The funny thing about Community is that it’s (ironically) exclusionary. A community of like minded people will either exclude those who aren’t of “like mind,” or change its own definition to welcome them. I see the latter happening here; if Cunable takes off and traditionally published authors start joining the ranks of the self-published, the Indie Community changes. It may not be a bad change–maybe the traditionalists will join the ranks of Indies, something that’s already been happening for some time. This could only strengthen the community.
But–and this is the thing that I really wonder about–it could also mean greater competition. One of the hardest things about self-publishing is that the marketing is all up to you. It’s challenging, and I think it takes a special type of motivation to get it done right. But put those people up against someone who has an established name, and the competition gets a lot more fierce. I loved Anderson’s Captain Nemo, for example, but I think Lindsey Buroker’s Emperor’s Edge novels are better. An uninitiated reader given the choice between them might go with the name they recognise (though I have to give props to Buroker, arguably one of the most recognisable names in self-publishing). I’m not saying this is a good or a bad thing–but it’s something to watch as it develops.

The one big difference I’m seeing, though, is pricing. Anderson’s prices haven’t changed since partnering with Cunable. His current Zombie PI series Dan Shamble is selling for around $13 a book–most Indie books hover between $1 and $5, and given some of the great percentages Indies get, both can potentially earn about the same from each sale. But–and this is a big but–given a choice between a $5 eBook and a $13 eBook, many will choose the lower price. For Cunable, I think this is inescapable–they’re still distributing books that are under a publisher’s contract. But for a company moving into the self-publishing model, it’s an interesting complication.

At any rate, as I said above, there are those better versed in the self-publishing model who can comment on this development more eloquently than I…but it’s a very interesting development, and I’m excited to see where it leads. I applaud Anderson for getting on board, and my big hope is that this will encourage the continued paradigm shift for publishing. At the very least, it helps with distribution and accessibility–and in the end, getting more books into the hands of readers is what it’s all about.

The Descent: an Innovative Contest Where the Indies Win

It’s no secret that I’m a huge Kobo fanboy. Kobo was my introduction to e-books, and I’ve never tried another platform (beyond installing other companies’ apps on my Kobo), and I don’t really care to. I’ve found a nice home there, and that works for me.

One thing I really like about Kobo as a company is that they truly support their Indie Writers. Kobo Writing Life is a great program, as many Indies can attest. But for the most part (and this is just my opinion), Indie books are still somewhat underground–someone has to point them out to you. Fortunately, that’s changing quickly–and Kobo has an innovative way to help bring about that change.

J.F. Penn is well known enough in the Indie world that she doesn’t need an introduction. Suffice it to say that the author of the Arcane series is at the forefront of our industry, and an incredible representative of the Indie Community. She’s a powerhouse, to be sure, and a concrete example of how writers like us can make this work.  Now, Penn is working with Kobo to present a truly unique contest: The Decent.

The short of it is this: for three weeks, Kobo will release a short story written by Penn. Within those stories is a series of clues which the reader has to ferret out and assemble. This will lead the reader to a secret web page where they can enter to win a grand prize of $5000. Sounds like fun, right? Well, here’s the best part: all of this is part of a promotion for Dan brown’s coming novel, Inferno.

Okay, hear me out before you browse away from me. I can hear you now: this blog is about the Indie community, why are you writing about a contest for a Dan Brown book? Believe me, I had my own reservations at first. I enjoy Brown’s novels, but let’s be honest–they’re not the pinnacle of English Literature. And he’s about the furthest thing away from an Indie writer you could imagine. So why write about it here?

The reason is that this puts Indie writers squarely in the spotlight. Well, one writer in particular, but this is important: J.F. Penn, a voice of the Indie Community, is being advertised alongside Dan Brown. People who are lusting after Brown’s book will learn about Penn–and when they learn about Penn and her self-publishing success, they may explore more Indie writers. Even better, it validates our industry; if Dan Brown is in the big leagues and Penn is playing ball with him, it reflects very well on the rest of us.

Now, to be honest, there are those who will read Penn’s stories, click through to the contest without realizing who she is in the Community, and never give Indies a second thought. But there will be those who are intrigued enough by her work to explore her other books; they’ll see that she operates under her own imprint, The Creative Penn, and isn’t attached to a large publishing house; they’ll visit her webpage and see that she offers marketing advice for people wanting to publish their own books. And that is a direct open door to the Indie Community. And besides all that, the very fact that Kobo is associating Brown with an Indie writer in this way is very telling: it shows that they have a stake in the Indie community, and are willing to invest in us in a real way. This contest might be going out to the world, but really, I think the Indie Community has already won.

I thought about reviewing Sins of Temptation, the first of Penn’s three stories, but have decided against it. I wouldn’t want to inadvertently give spoilers that turn out to be clues. If someone wants to enter this contest, they should run the gamut themselves. I will say this about it: it’s decent, and left me wanting more. It’s rather short, though it’s intended to be. And it has a distinct flavour to it that is more than reminiscent of Brown’s novels. Which, I should add, I think is a good thing.

But don’t take my word for it. You can find the first entry here, and it’s free! The second entry was supposed to be released today, but was available online Wednesday–you can find Sins of Violence here. The third and final story will be released next week. This contest is exclusive to Kobo, however, so if you don’t have an account you’ll have to make one. The account is free too, and Kobo has a great store, so you won’t be disappointed.  Finally, if you don’t have a Kobo, keep in mind that they have several apps that can be run on different devices, or even on your computer.

So go out, pick up the books (supporting a fellow Indie) and spread the word–the more people who see this, the better it is for all of us. Happy sleuthing!

This contest is run and operated by Kobo Inc. You can find the full rules and conditions here.

A True Indie Success

Well, I’m back.

I won’t bore my readers with lengthy explanations as to why I’ve been silent on this blog, or ruminate on how to make the time, and how that’s easier said than done.  Much easier said than done, as I’ve learned in the last few weeks. Instead, I’ll doff my cap, humbly apologize, and move right along. You can’t get back on the horse without putting your foot in the stirrup…or something like that.

So, right to it. In my time “away,” I had lots of time to miss reading. Especially reading Indie work.  In such a lapse as this, it would have been easy for me to step back from the Indie Writer’s world completely, and let it run along as it does. In fact, I was so deep into my work that I didn’t read anything, let alone write. I’ve built a habit of reading and reviewing Indie work in the last several months, but like any habit, if you let it lapse long enough, it can fade away. You lose the routine.
Fortunately, in the midst of my busyness, I had a wonderful reminder of why we do this. Ryan Casey’s debut novel What We Saw came in the mail.

What we SawSome time ago, Ryan started a crowd sourcing initiative on Pozible, to raise money to have his book printed in paperback. It was very successful–his goal was reached in twelve hours, and he ended up raising close to double his goal in the end. He said it was an experiment, and it’s one we can all learn from–know what you want, find out how to get it, and just do it. It was also a wonderful example of how well the Indie Writer’s community works together. You don’t find this kind of collaboration in the Traditional Publishing Industry.

I contributed a modest sum to his campaign, and the reward was a copy of his paperback. Living overseas from him, I didn’t receive it until recently–such is the way of snail mail. But really, it couldn’t have come at a better time. I’ve been doubting myself lately in terms of my writing–never making the time, at a loss for ideas, spinning my wheels on ideas I have developed. I recognise all of this as part of a cycle I’ve been a part of for years–it means I’m winding down, and will soon put down the writing for years, until I get the urge to try again. Or, that’s been the pattern.

Receiving Ryan’s book reminded me of two points: that achieving your dreams can be as simple as pursuing them with abandon, and–this is the important one–it’s not impossible to achieve them. Not even close to impossible. Here was the physical proof: a genuine professional grade paperback novel, written by a young guy in between his studies at University. And this isn’t vanity press; he’s made some real money off this venture. It’s an excellent book. It’s got legs. And all because Ryan had an idea, a dream, and a plan to go out and grab it.

When I was Ryan’s age, I was at University, writing my never ending novel on a Palm Pilot with a fold out keyboard, whiling away the hours at coffee shops and pubs, completely lost in this fantasy world I’d created. I see part of myself in Ryan’s creative energy–the difference is that he went further than I ever did, and he grabbed the golden ring. I used to regret that I never finished my book, but now, I just see it as unfinished…for now. Seeing this kind of tangible result is a great motivator. It’s a reminder to keep looking out for your dreams, to keep moving forward. But mostly, I see it as a held out hand. This is a fellow writer saying “come with me, we’re going the same way.”

Now, of course, Ryan isn’t the only one who’s achieved some measure of success, and he’s not the only Indie I find inspiring. J. M. Ney-Grimm, Lindsey Buroker, David A. Hayden, Brian Rathbone, and so many others whose books I’ve been reviewing on this blog–all of these people are hallmarks of what makes this community great. Look them up on twitter, find their blogs, read their stories; you’ll find that each and every one of them is just like you. And if you’re not a writer, do all those things anyway. There’s a greater lesson to be learned here besides how to publish your work online. Personally, I think it’s one of the greatest lessons you can learn in life, and all of these people are living embodiments of it. I can sum it up in the words of non-profit guru Dan Pallotta: “You can have all the things you want, or all the reasons you can’t have them.”

And it’s really as simple as that.

I’ve got lots of work to do, and lots coming up on Speaking to the Eyes. Bear with me as I get back into the swing of things, but watch this page for upcoming reviews of J.M Ney-Grimm’s Troll Magic, news about a great contest by Indie juggernaut J.F. Penn, and of course, the ruminations of a writer/reviewer trying to learn his way through the world of Self Publishing!

What’s in a Name?

by Alan O’Rourke, c/o Flikr

Holden Caulfield. Romeo, Desdemona and Falstaff. James Tiberius Kirk. There are certain names in fiction that just stand out. They become more than just a name; they share an identity with the character, add an air of personality of mystery, or even imply a metaphor that evokes a deeper meaning to the character. They’re crucial in good fiction–a good character name might computer a reader’s attention, but a great name will capture their imagination.

I was thinking this week about fellow Indie Writers, and the names they use for their characters. There are tons of great examples.
Ryan Casey’s main character in What We Saw is named Liam, a common enough name for its English setting. To a Canadian like myself, it was just different enough from what I’m used to that it stood out, even above the other very English characters. Liam is familiar, but sufficiently unique to be set apart from the others in the book–just as it should be for a main character.
Lindsay Buroker has a litany of great character names; Sicarius, Maldynado, Amaranthe and Basilard are really colourful names that each evoke their separate personalities. When you read the Emperor’s Edge books and first come across these characters, you get the impression that they couldn’t be named anything else.
In Brian Rathbone’s Call of the Herald, we come across Catrin Volker. It’s a name that seems common and ordinary–but there’s an almost thrumming power beneath it, and it’s just different enough from ‘Catherine’ that it sounds exotic; fitting for a fantasy novel set in a world like ours, but only just.
David Alastair Hayden’s Chains of a Dark Goddess has some wonderfully exotic names that have a very Latin feel. There’s no doubt that the world of Pawan Kor is a fantastical one, but giving the names a Roman theme gives the book a firm military feel. In a way, the names are as much a part of the World Building than his description of how magic works.
Some of my favourite character names come from J.M. Ney-Grimm. Her books have a mythic Norse feel to them, and the names are evocative of that. Just like Hayden, her names are a part of the World Building. When you come across names like Sarvet, Elspeth, and Gefnen, you know what you’re getting into.

But why do these names work? I think the prime point is choosing a name that describes your character, to a point. Buroker’s Sicarius is a case in the point: Sicarius is Latin for Assassin, his role in the story. Yet that’s something that most readers wouldn’t know, or wouldn’t think to look up; it stands as a great name because even when a reader does figure it out, it only adds to the character. Caitrin is another good example–you can almost parse out her name and use it as a rough character sketch. She’s a common girl who’s rather suddenly (and unexpectedly) granted enormous power; Catrin is an unassuming name, but Volker sounds important, almost virile.

When I try to think of character names, I often start with a character sketch, and pick one or two words that sum up their personality, or their role in the story. One of my first major characters was Sojo (the “j” pronounced as a soft “y”). He was a nomad, never settling in one place–a sojourner. I think it’s a bit obvious now and have put him aside in favour of a new protagonist, Tobias Osir. Tobias is a character taken from the Apocryphal Book of Tobit, where we walks with the Archangel Raphael in a spiritual journey–much like Osir will in Tapestry. Alkut (my main protagonist) and Ahbinzur (another protagonist) are taken from the Kabbalah; Malkuth is the Kingdom of Earth, the beginning of the spiritual journey where one is concerned more with worldly things than enlightenment. Binah is Understanding, or a special kind of insight. As represented by the Queen of Swords in the Tarot, Ahbinzur fits that bill pretty well.

But having a name that means something isn’t enough. It has to be catchy, memorable, and most of all, easy to pronounce. J. M. Ney-Grimm makes a good point:

It’s a good thing to keep in mind: if your reader can’t pronounce the name after seeing it a few times, chances are they’ll give up and gloss over it from then on–and this can cause them to distance from the character. Or, at the least, not to get as invested as they could have been. Even worse, a dedicated reader might stop and figure out how to pronounce it whenever they come across it; until they get it, they’re taking themselves out of the world of the book, and that’s a bane for a writer.

Most of the examples here are fantasy books, and there’s more leeway as mentioned above. But you don’t want to make them too exotic. Once again, if a reader can’t relate to the characters’ name, they’re not going to relate with the character–that goes for place names as well. A name should always be something at least vaguely recognizable, so there’s an inherent connection to the reader. George R. R. Martin is a master at this; almost all of his character names are subtle variations of names we’re familiar with–recognizable, but just different enough that we know he’s not writing in our world.

So where do you find names?

Scrivener has a name app built into the program; you give it a certain number of parameters, and it’ll cough out a bunch of names. As much as I love the program, I’ve personally never found this feature useful–but then, I like names that mean something, so Scrivener isn’t going to give me anything I’ll like anyway. J. M. Ney-Grimm suggests looking up lists of foreign names, and this can work well too. You’ll likely come up with something your reader isn’t familiar with, and that’s a name that will stick out. Just keep in mind that those names may be foreign to you, but they won’t be foreign to all readers.
I also like to use Google Translate and the Anagram Server at If you want a certain cultural feel, Translate is great; pick a few choice words, punch them through to a different language, and play with the results. The Anagram Server is a bit less useful, as it will only give you real words–still, it can spur your creative juices. That’s where I came up with Ahbinzur (the “zur” is a suffix given to mages of a certain caste in my World).
Another great source, of course, are baby name books. There are scores of websites that give baby name lists, so I won’t even begin to list them here. For the same reasons noted above, this isn’t my favourite source, but it’s useful.

But in the end, there’s one overwhelming reason to choose one name over another, especially for your main characters: they have to be simple. They have to roll off the tongue, stick in your reader’s memory. You want a name, like those at the beginning of this article–not only memorable, but evocative of your story as a whole. If your character’s name can’t be separated from the story, your readers won’t forget either.

Next week, look for another Indie Writer Review–this time of David Alastair Hayden’s Who Walks in Flame!

A Different Tapestry: The Kobo Arc

A little over a year ago, I bought myself a Kobo Touch e-reader. I’ve been using it, on average, close to two hours a day since then–it’s easily one of the most useful electronic devices I’ve ever invested in. Which is why it was so disappointing when it crashed last week.

I was sending emails back and forth to Kobo Customer Care for the better part of the week, trying all sorts of tricks to get it working again–but sadly, it had run its course. With the amount of use it’s gotten, I can’t say I’m surprised! Kobo was very helpful, although in the end, nothing could be done–and unfortunately, I had just gone over warranty.

So on Saturday, I decided to bite the bullet and replace my Kobo. While I was at it, I took the opportunity to upgrade to the Kobo Arc. And I couldn’t be more pleased with the choice.

The Kobo Arc, while still primarily an e-reader, is really a tablet with a reading focus. It’s stock Android, but Kobo had given it a custom UI called Tapestries (the irony is not lost on me!). Essentially, these amount to folders in which you can organize your apps and media–in practise, it’s an excellent tool for the Indie Writer.

It works something like Pinterest. You can ‘pin’ almost anything to a Tapestry–apps, webpages, pictures, books, you name it. You can pin something to multiple Tapestries, and even nest them within one another. They appear on your home screen with an image of the last item you used–so for example, if I was just in the Kobo store and go back to the main screen, I’ll see the icon for the store at the front of my Reading Tapestry. The Kobo learns which apps you use most, and pushes them to the top, where they’re easy to find.

But it goes deeper than that. As with all Kobos, you can highlight passages in a book and make annotations. This is a feature I used often on my Touch, as it’s a great help to research. I often found myself comparing annotations; I’d make a note in one book, then open another and compare passages to get a more rounded view of whatever topic I was studying. But it was cumbersome. You needed to close the book you were working on, then open another and sift through the annotations until you found the one you wanted. A lot more convenient than paging through actual books, but still not exactly simple.
So the really awesome bit about the Kobo Arc is that you can pin these highlighted passages. I’ve created a Tapestry called Research which sits in my Reading folder; when I open it, I have all of my annotations in one spot. Each shows as a small snippet of text, and tapping on it opens the book to that page of the book. It couldn’t be easier.

Even better, you can still pin images and other items into that Tapestry–which means I can also pin images from my Pinterest boards. This makes Tapestries a robust feature for writers–I’m only beginning to scratch the surface of how useful this can be.

Because the Arc runs on Android, there are thousands of useful apps you can download, many of which are free. The Arc comes pre-loaded with Pinterest, which I’ve already found useful. It also has Twitter, which will make it easy to follow fellow Indie Writers–and much easier to follow the links they post than using my phone (and, incidentally, I can pin their blog posts or tweets to Tapestries as well). There’s a Goodreads app, and I’ve found a neat RSS reader called Pulse with which I can follow Indie blogs. There’s a score of Memo apps, some of which can be dictated to; Evernote is a popular choice for writers, though I’ve personally never found it useful. I found a few word processors too, though I can’t imagine they’d be useful for the Arc unless I were to get a separate keyboard–at which point I might as well use my computer.
There are also  WordPress and Wikipedia apps, though apparently they’re not compatible with the Arc.

The Arc is also great for browsing the internet. It comes with the stock Android browser and with Chrome–but Firefox is available too. And of course, any pages or images you bring up can be pinned to Tapestries as well. I’m very happy with this feature, as my phone–a Blackberry Torch–shows dismal performance when opening webpages, and I’m not always at a computer when I want to look something up. The Kobo Touch had a browser as well, but it was eternally stuck in Beta, and it was pretty slow. My focus for the Arc isn’t surfing the ‘net, but as a writer’s tool, bringing up webpages for research or shopping for books is going to be dead simple.

And that brings us to the reason I bought this device in the first place–the Reading Experience. We’ll get into details on Wednesday, so stay tuned for that!

And, as promised, I’ll be writing a weekly Indie Review starting next Monday with Lorne Oliver’s Red Island. He’s posted the first chapter on his website, so go give it a look!

Pinterest: A Worthy Writer’s Tool?

Pinterest_FaviconRecently I mentioned that adding too much too soon to your story can cause it to collapse–as mine is in danger of doing. If you see this happening, it’s a good opportunity to step back, take stock, and find out what you really need to write. Roz Morris excellent blog post on how to correct this problem was an eye-opener for me, and I’ve been thinking about it a lot over the last week. One of the ideas she suggests is to use Pinterest…so I thought we’d look at that briefly today.

If you’re not aware of Pinterest–and admittedly, though I’ve heard of it I never really looked into it until now–here it is in a nutshell: you find pictures you like on the internet, and “pin” them to a virtual corkboard. Once pinned, others can find you and re-pin what you’ve pinned, and you can pin their pins. The result is a board filled with images that are shared and shared again. When I first heard of it, I thought it sounded like most social media–useless to anyone who didn’t know how to use it properly. Further, what good would it be to an artist who works in words, not pictures? I never really bothered to explore it further than that.

But Pinterest does have one very important thing to offer writers: inspiration.

This is why Roz recommended it. You can start a Pinterest board and fill it with images related to the story of book you’re writing. Then, when you get stuck or go off track, you can go back to your board to see what inspired you about the story in the first place. It’s like a visual notebook where you can jot down ideas, feelings, and themes. For those of us who are visual learners–that’s me–this can be a great boon. Imagining a book in your head is one thing, but I’ve already found that compiling images that reflect that imagery can be inspiring.

Another way I can imagine Pinterest being helpful is in World Building, especially for speculative fiction. In fantasy, you need to create a comprehensive setting that is exciting and makes sense, and it can be challenging to keep things straight. This is one issue I keep having: I lay down a “rule” for my world (such as that the Elements produce magic), but keep tweaking it until it loses the effect I meant it to have. Or I describe an area as being a desert wasteland without considering how the relatively close major river seems incongruous. Finding pictures of the setting you want to convey can give you real-world analogues to keep your setting believable.
One thing I want to develop in a more concrete way is the varying species of dragons in my world. As the Elements create magic, so too do they infer magical beings, so I want each species of dragon to not only correspond with, but represent their Element. This has already been beneficial for me; in searching for pictures of salamanders, I found one (pinned to my board) of a spotted salamander that, if it were the size of a man, would make a formidable dragon. A salamander is a creature of fire–thus, a fire dragon.

One thing to be aware of, I think, is the difference between Inspiration and plain Stealing an Idea. This can be a dangerous line to walk on Pinterest, where it’s easy to just click “pin” on anything that catches your fancy across the internet, without caring where it came from. If a certain picture serves too well as the basis of some creative idea in your story, it’s not really yours. If I take the picture of the spotted salamander and use it as my cover image, I’m stealing it. If someone draws a picture of a water dragon and I describe it too closely in my book, I’m stealing someone’s idea. I think you’d have to be careful about where you draw the line.

Using Pinterest is easy. You set up an account through Facebook or Twitter, then start new boards for whatever topics you like. My first board is four The Courts–the four stories that make up Phase One of my Tapestry Project. I may divide them into four separate boards, one for each story, but this serves for now.
Then just go searching. You can search Pinterest for whatever you like, and each picture that comes up has a Pin button on it. Pin it and it’s in your board, where others can see it as well. You can also pin images from anywhere on the Internet–there’s an option to add a “Pin It” button to your browser. I put it on the toolbar right below the address bar on Firefox, so it’s right there.Any time you pin an image, you can choose which board it goes to, and add a caption.

Like any social media service, people can also follow you, so they can see all your boards as they’re updated. For some baffling reason, I got 50 followers within an hour of setting up my account. I can’t say I know how this works, or how I can turn it back on my writing–but the point is that you can create a community. And that community can help build your author platform.

There are a lot of writers out there who swear by Pinterest. Here’s a few articles about it for further reading–and it’s just the tip of the iceberg!

So, is Pinterest worth it for writers? Truth be told, I’m not sure yet. I’m still experimenting with it, but so far it’s been…interesting. I think the biggest challenge for a writer is, as Roz points out in her article, using it. It can be tempting to just browse for pictures–I got lost in this yesterday–and forget why you started this in the first place. But if you’re diligent and this kind of “imaging” is something you enjoy/get use out of, then by all means, check it out. You might be pleasantly surprised.

At the very least, you’ll gleefully waste an afternoon looking at pictures of food and crafts.

What do you think about Pinterest for Writers? Is it useful, or just a distraction? Do you have a Pinterest board? I want to hear your comments and see your links!

How to Make the Time

Time goes by so fast by JanetR3, c/o Flikr

A while back, I posted about how we give ourselves permission to procrastinate, and that the excuse of “I don’t have enough time” is a thin one. The moral: you won’t have the time until you make the time. So I thought it would be nice to follow up today with how you can do just that.

I used to be a House Manager at a live theatre company–essentially, my job was to make sure our patrons were safe and comfortable before the show and during intermission. A large part of it was customer service–but really, the job was all about time management. It was important to learn how to manage my time so that less important things–like making sure the doors are unlocked–don’t take away from time spent on issues like getting change to the bar, resolving seating issues, and heaven forbid, medical emergencies.

Time Management isn’t just about hitting your deadlines or making sure you have time to complete projects. It’s about making the most use out of the time you have, identifying what you don’t have time for, and knowing what’s most important to get done right now.

And all of this relates to writing just as well as it does House Management, or any other job. Let’s address it in a few simple points:


This is the big one. If you’re focusing on the little things, you’ll never get good at time management. It’s as simple as not knowing where your energies need to go–if you spend all your time on something that doesn’t matter in the larger picture, you’ll find yourself running out of time to complete the big projects. It sounds pretty straight forward, but I’ve found that it takes practice. Most of the time, it’s easy to tell what should get your attention first–but sometimes, it’ll surprise you.

For example, you might think that designing a cover for that book you just started is a long ways off. You still have edits, revisions, formatting. The book cover is the last detail you want to think about when you’re in the middle of your first draft. But really, it’s a crucial thing to think about early on, maybe even before you start writing. The cover is how people are going to find your book, especially when they’re shopping online. You also need to think about branding; your books should all have a similar ‘feel’ to them, so it’s easy for readers to make the connection between your works. If not, it’s easy for them to pass your other books by.


Prioritization is how you order your task list; Allocation is how divide that time between tasks. Another common mistake in time management is allocating too much time to a relatively unimportant project, and too much time to something else. I’m really bad at this when it comes to a specific example: research. I love researching things, to the point where I’ll research a topic just for the fun of it with no end result in mind. But when I have a particular story to write, I can get tied up in research enough that I use up time I could have otherwise spent writing–and that’s when I start missing deadlines.

Case in point: I thought it would be interesting for the system of magic in my Tapestry Project to make use of foci. A Mage uses magic by manipulating one of the four elements, but if he has a focus attuned to that element, the magic is more potent. I want to use particular gemstones as foci, and started doing some research into it–and wasted all the time I’d set aside for a couple days. All for a nice bit of “flavour” that ultimately doesn’t have a large impact on the plot. I could have stopped my research short and gone back to it later, and it wouldn’t have made a difference.

The fallacy of allocation is that every part of your project is important–it’s just that some things are more important than others. Research is crucial for a good book, but you need to make time for other things too. Finding that balance can take practice as well, but ultimately, the most important thing is that you write. That should always be your priority, and the majority of your time and effort  should be spent on it.


This one seems like a no-brainer, but it’s really very important. If you’re not organized, you’ll have trouble getting out of the gate. Fortunately, it’s simple to get on the right track–just utilize your resources and play to your strengths.

I’m a “project” guy. I work best when I have a clear goal in mind, and I’m able to set out specific tasks that lead toward that goal. Checklists work wonders for me; as I complete tasks and mark them off my list, I have a real sense of accomplishment which propels me forward. Others may prefer to have a vague outline of what their end game looks like, and work toward it in an organic way. There’s no right answer here, as long as you’re organized. There’s a lot of software out there for this, everything from email clients and electronic calendars to synchronization software and memo pads. Much of it is free. Investigate what you think will work best, try it out, and use it.

Goals and Intent

Again, it might go without saying, but if you don’t have an idea of where you’re going to end up, you won’t have much luck getting there in any timely fashion.  You have to start somewhere, but you have to have a destination in mind as well.

The trick here, I find, is to have several very specific goals instead of one vague one. “I want to publish a novel” isn’t going to help you, because there’s so much work that goes into it. “I want to write X number of words each day” is a much better goal because it’s attainable, and it’s measurable. Also–and this is important–it’s something you can change day to day. Having a goal is great, but having a flexible goal is better. Sometimes life happens, and you can’t reach your destination when you thought you could–but that doesn’t mean it can’t change tomorrow.

Intent is also very important. You want to be clear about what you want to achieve; not just what your goal are, but why your goals are as they are. You want to write 5000 words by the end of the week? Fine. Why 5000 words? Why a week? What will you do when you get there, whether you can meet that goal or not? Being clear on the intent behind your goals will help you work towards them because it’s no longer arbitrary, it’s tangible.


Time Management is a big subject, and I won’t pretend to have covered it all here. I’d like to elaborate on this post eventually, with some tips about managing your time–but in all honestly, I’m out of it for this week! We’ll see you Wednesday!

How to be (in)Visible

Social, by JD Hancock c/o Flikr.

One of the greatest challenges facing an indie author is visibility. Simply put, if nobody out there knows you’re writing, nobody our there will be reading. So how do you become visible?

This is something I’ve been struggling with since I started this journey. I’m by nature a shy person, and I’m not comfortable asking people to buy or try my stuff. I tell myself that I don’t like “imposing myself on others.” This is something I’m slowly getting over, but it’s been a challenge to say the least.

When I started self-publishing, I figured that a few good words and some solid stories would sell themselves; I didn’t care if it took a bit longer, I just thought that it would eventually steamroll under its own power. This, I’ve since learned, is one of the cardinal sins of self-publishing: never assume that your work will sell itself. The biggest reason for this, again, is that nobody knows you’re out there. Even with a lot of concentrated networking and shilling, it can be a challenge to get a large audience; why would they appear out of thin air? This is the best way to become invisible to your market: hope it takes care of itself.

But there are some relatively simple actions you can take to increase your visibility. Here’s three, and they don’t take that much more effort than doing nothing:


Social Media is the big one. You should at least have a twitter account: here’s mine. When I started publishing, I had about 40 followers, because nobody except friends and family knew I was on twitter. I still have less than 100, but it’s growing; I’ve hovered around 85 for about a month. I want to grow my twitter audience, because they’re an easy way to distribute information–but the trick is being relevant. Use hashtags, talk about things other writers talk about, and be active. And by active, i don’t just mean tweeting a lot; I mean starting and participating in conversations on twitter. If people know you’re putting some effort into it, they’ll listen.

A few weeks ago, I found myself without a lot of time to catch up on twitter. I’d go a full day before checking twitter or tweeting myself. And I noticed a steady drop off on followers. People were checking their own twitter streams, realizing I wasn’t saying much, and taking me off their lists to make room for others. But as soon as i tweeted a couple useful links or started a conversation, my followers grew. And the more you have, the larger your audience and the more potential for further growth. Ryan Casey has a great post on how to properly use twitter.


Which leads into the next point: networking. I used to be very bad at this–like I said, shy guy. But in my new job, networking is essential, and I’m learning how to make effective and useful connections. Networking in the indie community is no different–and actually a bit easier.

The thing about networking is that people want to share their experience. They want to help you out, and they want you to help them in return. In the indie writing community especially, people out there are chomping at the bit to make you the best writer you can be–and it’s only fair to give back.

The first thing any indie writer should do is start creating a network of friends–fellow writers–who can help. You shouldn’t actively ask them to promote your work or teach you how to edit; that will come naturally if you cultivate the relationship. But even just a few people will help you immensely. They’ll give you writing advice. They’ll re-tweet your tweets. They’ll link to your blog. And in all likelihood, they’ve got a larger platform than you right now: everything they share of yours is going directly to their audience. And that audience, properly cultivated, can also become yours.

That’s the great thing about the indie community: there’s no finite market. Writers aren’t competing with each other as much as they seem to in the “professional” world. My readers can be yours as well, and that overlap is far from harmful (as thought in some capitalistic ventures); it’s actually helpful. Because it all helps spread the word of what the indie writer’s community is doing: revolutionizing the publishing industry.

How do you get a network? I started by following people on twitter whose work I enjoyed reading. Get in touch with the author, tell them you like their book. Ask them questions. Talk to them about things other than writing. My own network is small so far–I’m only just cluing into all these tips–but it’s growing. And the larger the network, the more people who are out there to help you when you need support, encouragement, or advice.

Outside Promotion

This one was scary for me. Not to beat a dead horse, but I don’t like asking people for things. It makes me uncomfortable to thing I’m requesting a favor, or asking them to do something they may not want to do. But you know what? It’s not that hard. And most people in this community are not only willing to help promote your work, they’re eager to do it.

That’s not to say you should spam indie writers with requests until someone complies. That’ll get you blacklisted. But there are a few simple places to start.

One I’d recommend is The Book Designer, by Joel Friedlander. He’s a designer, but has tons of useful information about self publishing. He also runs two monthly features that help writers promote: the eBook Cover Awards and the Carnival of the Indies. There’s no cash prizes or anything like that–this is much more valuable. Joel has over 17,000 followers on twitter, and I can imagine there’s many more who frequently read his blog; and when you’re in one of these features, your name (and blog) are sent out to all of them. I’ve been featured in both this month, and have experienced a significant amount of traffic because of it. Definitely check it out.

There’s also a Round of Words in 80 Days. I talk about them often, so I won’t go into length here: just follow the link if you’re interested. Suffice it to say, it’s your own community within the writer’s community, which helps people set and achieve writing goals. If you sign up, you’ll be invited to post a link to your check in blogs twice a week, and these links are promoted to others in the collective. It’s win-win.

The last thing I’ll mention about outside promotion is that if you give, people will give back. I’ve noticed that when I re-tweet someone’s book link or blog post, they’ll often re-tweet that to their followers–which means that all their followers can now see me. Share and share alike; that’s how this community works. It feeds upon itself, but isn’t diminished by that–it’s made stronger.

Now, of course, the next step for me is to translate this growth into sales. I haven’t had the chance to update my site to include links to my books–which is really a glaring oversight. I’ll get on that soon. In the meantime, my platform is growing, and now that I’ve got some tricks up my sleeve, it’ll keep growing at a decent pace. And really, it wasn’t that difficult to start.

Do you have any tips and tricks about increasing your visibility? I’d love to hear them in the comments!


Scrivener Templates

Scrivener Templates: making creating easier.

I don’t have a whole lot of time today to post, but in the interest of keeping my schedule, I promised myself I’d write something. So I’ve got a quick idea I’ve wanted to talk about for a while, but never found the right space for it: Scrivener Templates.

If you’re not using Scrivener for your writing, check it out. It’s amazing. It’s basically a more powerful version of your word processor–not only can you write in it, it will help you organize your thoughts, plot out your story, and convert everything into a manuscript or eBook at the end. It’s an extremely versatile program.

One of the things I like most about Scrivener is the way it helps you organize your work. Whether you’re writing a short story or a trilogy of novels, Scrivener can help you keep everything in one place. Along the left side of the program is the Binder, a collection of collapsible folders which is the backbone of your project. You have your manuscript (divided into scenes), notes for characters and places, and all your research.


Binder Closeup

What I want to touch on today is the Templates. At the bottom of your binder is a folder that has some templates. You can right click to duplicate one, and save it as a character or place. Then, just fill in the details and you have a succinct sketch of your characters and places. Easy.

I used to write as I went–by which I mean I let my characters develop as I wrote, without having decided ahead of time too much about them. This still works for me to a point–I love being surprised when my characters do something I didn’t plan for–but for the most part, you want to have all of that laid out in front of you when you’re starting a new project. It’s fine to have a general idea, but the deeper your characters are when you start writing, the easier you’ll find it to create three dimensional characters. And, to use an old writer’s cliche, places should be characters in your stories too–so treat them the same way.

Here I’ve filled out the template with the basics for Ahbinzur, one of my main characters. She’s a complex one, so I definitely wanted to have something down before I wrote too much of her. As you can see, the template is pretty straight forward: give the name, a physical description, personality traits, and so on. Something I found really helpful was an entry on Internal and External conflicts, one of the most important ways to make a fully fleshed out character. The things the template asks you to think about seem redundant–why should I have to write down what she looks like? I already know that–but they’re also easy to miss.

Doing a Place template is much the same. Far beyond what the setting looks like, you’ll think about what the sights, sounds and smells are, any special features you want to include, an so on. Getting it all out on paper makes inventing a living, breathing setting so much simpler.

Well, there you are. It’s a simple tool–really, it’s nothing more than a form you’re filling out–but oh so important. Something like this should go without saying, but missing these details will squash your book flatter than pancake–so hy not take advantage of it? As usual, Scrivener is taking the guesswork out of your project for you–all you have to do is hammer out the details, then sit back and write.